THE DARK FLOWER Read online

Page 14


  June had come in with skies of a blue that not even London glare and dust could pale. In every square and park and patch of green the air simmered with life and with the music of birds swaying on little boughs. Piano organs in the streets were no longer wistful for the South; lovers already sat in the shade of trees.

  To remain indoors, when he was not working, was sheer torture; for he could not read, and had lost all interest in the little excitements, amusements, occupations that go to make up the normal life of man. Every outer thing seemed to have dropped off, shrivelled, leaving him just a condition of the spirit, a state of mind.

  Lying awake he would think of things in the past, and they would mean nothing--all dissolved and dispersed by the heat of this feeling in him. Indeed, his sense of isolation was so strong that he could not even believe that he had lived through the facts which his memory apprehended. He had become one burning mood--that, and nothing more.

  To be out, especially amongst trees, was the only solace.

  And he sat for a long time that evening under a large lime-tree on a knoll above the Serpentine. There was very little breeze, just enough to keep alive a kind of whispering. What if men and women, when they had lived their gusty lives, became trees! What if someone who had burned and ached were now spreading over him this leafy peace--this blue-black shadow against the stars? Or were the stars, perhaps, the souls of men and women escaped for ever from love and longing? He broke off a branch of the lime and drew it across his face. It was not yet in flower, but it smelled lemony and fresh even here in London. If only for a moment he could desert his own heart, and rest with the trees and stars!

  No further letter came from her next morning, and he soon lost his power to work. It was Derby Day. He determined to go down. Perhaps she would be there. Even if she were not, he might find some little distraction in the crowd and the horses. He had seen her in the paddock long before the Colonel's sharp eyes detected him; and, following in the crush, managed to touch her hand in the crowded gateway, and whisper: "To-morrow, the National Gallery, at four o'clock--by the Bacchus and Ariadne. For God's sake!" Her gloved hand pressed his hard; and she was gone. He stayed in the paddock, too happy almost to breathe. . . .

  Next day, while waiting before that picture, he looked at it with wonder. For there seemed his own passion transfigured in the darkening star-crowned sky, and the eyes of the leaping god. In spirit, was he not always rushing to her like that? Minutes passed, and she did not come. What should he do if she failed him? Surely die of disappointment and despair. . . . He had little enough experience as yet of the toughness of the human heart; how life bruises and crushes, yet leaves it beating. . . . Then, from an unlikely quarter, he saw her coming.

  They walked in silence down to the quiet rooms where the Turner watercolours hung. No one, save two Frenchmen and an old official, watched them passing slowly before those little pictures, till they came to the end wall, and, unseen, unheard by any but her, he could begin!

  The arguments he had so carefully rehearsed were all forgotten; nothing left but an incoherent pleading. Life without her was not life; and they had only one life for love--one summer. It was all dark where she was not--the very sun itself was dark. Better to die than to live such false, broken lives, apart from each other. Better to die at once than to live wanting each other, longing and longing, and watching each other's sorrow. And all for the sake of what? It maddened, killed him, to think of that man touching her when he knew she did but hate him. It shamed all manhood; it could not be good to help such things to be. A vow when the spirit of it was gone was only superstition; it was wicked to waste one's life for the sake of that. Society--she knew, she must know--only cared for the forms, the outsides of things. And what did it matter what Society thought? It had no soul, no feeling, nothing. And if it were said they ought to sacrifice themselves for the sake of others, to make things happier in the world, she must know that was only true when love was light and selfish; but not when people loved as they did, with all their hearts and souls, so that they would die for each other any minute, so that without each other there was no meaning in anything. It would not help a single soul, for them to murder their love and all the happiness of their lives; to go on in a sort of living death. Even if it were wrong, he would rather do that wrong, and take the consequences! But it was not, it COULD not be wrong, when they felt like that!

  And all the time that he was pouring forth those supplications, his eyes searched and searched her face. But there only came from her: "I don't know--I can't tell--if only I knew!" And then he was silent, stricken to the heart; till, at a look or a touch from her, he would break out again: "You do love me--you do; then what does anything else matter?"

  And so it went on and on that summer afternoon, in the deserted room meant for such other things, where the two Frenchmen were too sympathetic, and the old official too drowsy, to come. Then it all narrowed to one fierce, insistent question:

  "What is it--WHAT is it you're afraid of?"

  But to that, too, he got only the one mournful answer, paralyzing in its fateful monotony.

  "I don't know--I can't tell!"

  It was awful to go on thus beating against this uncanny, dark, shadowy resistance; these unreal doubts and dreads, that by their very dumbness were becoming real to him, too. If only she could tell him what she feared! It could not be poverty--that was not like her--besides, he had enough for both. It could not be loss of a social position, which was but irksome to her! Surely it was not fear that he would cease to love her! What was it? In God's name-- what?

  To-morrow--she had told him--she was to go down, alone, to the river-house; would she not come now, this very minute, to him instead? And they would start off--that night, back to the South where their love had flowered. But again it was: "I can't! I don't know--I must have time!" And yet her eyes had that brooding love-light. How COULD she hold back and waver? But, utterly exhausted, he did not plead again; did not even resist when she said: "You must go, now; and leave me to get back! I will write. Perhaps--soon--I shall know." He begged for, and took one kiss; then, passing the old official, went quickly up and out.

  XV

  He reached his rooms overcome by a lassitude that was not, however, quite despair. He had made his effort, failed--but there was still within him the unconquerable hope of the passionate lover. . . . As well try to extinguish in full June the beating of the heart of summer; deny to the flowers their deepening hues, or to winged life its slumbrous buzzing, as stifle in such a lover his conviction of fulfilment. . . .

  He lay down on a couch, and there stayed a long time quite still, his forehead pressed against the wall. His will was already beginning to recover for a fresh attempt. It was merciful that she was going away from Cramier, going to where he had in fancy watched her feed her doves. No laws, no fears, not even her commands could stop his fancy from conjuring her up by day and night. He had but to close his eyes, and she was there.

  A ring at the bell, repeated several times, roused him at last to go to the door. His caller was Robert Cramier. And at sight of him, all Lennan's lethargy gave place to a steely feeling. What had brought him here? Had he been spying on his wife? The old longing for physical combat came over him. Cramier was perhaps fifteen years his senior, but taller, heavier, thicker. Chances, then, were pretty equal!

  "Won't you come in?" he said.

  "Thanks."

  The voice had in it the same mockery as on Sunday; and it shot through him that Cramier had thought to find his wife here. If so, he did not betray it by any crude look round. He came in with his deliberate step, light and well-poised for so big a man.

  "So this," he said, "is where you produce your masterpieces! Anything great since you came back?"

  Lennan lifted the cloths from the half-modelled figure of his bull- man. He felt malicious pleasure in doing that. Would Cramier recognize himself in this creature with the horn-like ears, and great bossed forehead? If this man who had her happiness beneath h
is heel had come here to mock, he should at all events get what he had come to give. And he waited.

  "I see. You are giving the poor brute horns!"

  If Cramier had seen, he had dared to add a touch of cynical humour, which the sculptor himself had never thought of. And this even evoked in the young man a kind of admiring compunction.

  "Those are not horns," he said gently; "only ears."

  Cramier lifted a hand and touched the edge of his own ear.

  "Not quite like that, are they--human ears? But I suppose you would call this symbolic. What, if I may ask, does it represent?"

  All the softness in Lennan vanished.

  "If you can't gather that from looking, it must be a failure."

  "Not at all. If I am right, you want something for it to tread on, don't you, to get your full effect?"

  Lennan touched the base of the clay.

  "The broken curve here"--then, with sudden disgust at this fencing, was silent. What had the man come for? He must want something. And, as if answering, Cramier said:

  "To pass to another subject--you see a good deal of my wife. I just wanted to tell you that I don't very much care that you should. It is as well to be quite frank, I think."

  Lennan bowed.

  "Is that not," he said, "perhaps rather a matter for HER decision?"

  That heavy figure--those threatening eyes! The whole thing was like a dream come true!

  "I do not feel it so. I am not one of those who let things drift. Please understand me. You come between us at your peril."

  Lennan kept silence for a moment, then he said quietly:

  "Can one come between two people who have ceased to have anything in common?"

  The veins in Cramier's forehead were swollen, his face and neck had grown crimson. And Lennan thought with strange elation: Now he's going to hit me! He could hardly keep his hands from shooting out and seizing in advance that great strong neck. If he could strangle, and have done with him!

  But, quite suddenly, Cramier turned on his heel. "I have warned you," he said, and went.

  Lennan took a long breath. So! That was over, and he knew where he was. If Cramier had struck out, he would surely have seized his neck and held on till life was gone. Nothing should have shaken him off. In fancy he could see himself swaying, writhing, reeling, battered about by those heavy fists, but always with his hands on the thick neck, squeezing out its life. He could feel, absolutely feel, the last reel and stagger of that great bulk crashing down, dragging him with it, till it lay upturned, still. He covered his eyes with his hands. . . . Thank God! The fellow had not hit out!

  He went to the door, opened it, and stood leaning against the door- post. All was still and drowsy out there in that quiet backwater of a street. Not a soul in sight! How still, for London! Only the birds. In a neighbouring studio someone was playing Chopin. Queer! He had almost forgotten there was such a thing as Chopin. A mazurka! Spinning like some top thing, round and round--weird little tune! . . . Well, and what now? Only one thing certain. Sooner give up life than give her up! Far sooner! Love her, achieve her--or give up everything, and drown to that tune going on and on, that little dancing dirge of summer!

  XVI

  At her cottage Olive stood often by the river.

  What lay beneath all that bright water--what strange, deep, swaying, life so far below the ruffling of wind, and the shadows of the willow trees? Was love down there, too? Love between sentient things, where it was almost dark; or had all passion climbed up to rustle with the reeds, and float with the water-flowers in the sunlight? Was there colour? Or had colour been drowned? No scent and no music; but movement there would be, for all the dim groping things bending one way to the current--movement, no less than in the aspen-leaves, never quite still, and the winged droves of the clouds. And if it were dark down there, it was dark, too, above the water; and hearts ached, and eyes just as much searched for that which did not come.

  To watch it always flowing by to the sea; never looking back, never swaying this way or that; drifting along, quiet as Fate--dark, or glamorous with the gold and moonlight of these beautiful days and nights, when every flower in her garden, in the fields, and along the river banks, was full of sweet life; when dog-roses starred the lanes, and in the wood the bracken was nearly a foot high.

  She was not alone there, though she would much rather have been; two days after she left London her Uncle and Aunt had joined her. It was from Cramier they had received their invitation. He himself had not yet been down.

  Every night, having parted from Mrs. Ercott and gone up the wide shallow stairs to her room, she would sit down at the window to write to Lennan, one candle beside her--one pale flame for comrade, as it might be his spirit. Every evening she poured out to him her thoughts, and ended always: "Have patience!" She was still waiting for courage to pass that dark hedge of impalpable doubts and fears and scruples, of a dread that she could not make articulate even to herself. Having finished, she would lean out into the night. The Colonel, his black figure cloaked against the dew, would be pacing up and down the lawn, with his good-night cigar, whose fiery spark she could just discern; and, beyond, her ghostly dove-house; and, beyond, the river--flowing. Then she would clasp herself close-- afraid to stretch out her arms, lest she should be seen.

  Each morning she rose early, dressed, and slipped away to the village to post her letter. From the woods across the river wild pigeons would be calling--as though Love itself pleaded with her afresh each day. She was back well before breakfast, to go up to her room and come down again as if for the first time. The Colonel, meeting her on the stairs, or in the hall, would say: "Ah, my dear! just beaten you! Slept well?" And, while her lips touched his cheek, slanted at the proper angle for uncles, he never dreamed that she had been three miles already through the dew.

  Now that she was in the throes of an indecision, whose ending, one way or the other, must be so tremendous, now that she was in the very swirl, she let no sign at all escape her; the Colonel and even his wife were deceived into thinking that after all no great harm had been done. It was grateful to them to think so, because of that stewardship at Monte Carlo, of which they could not render too good account. The warm sleepy days, with a little croquet and a little paddling on the river, and much sitting out of doors, when the Colonel would read aloud from Tennyson, were very pleasant. To him--if not to Mrs. Ercott--it was especially jolly to be out of Town 'this confounded crowded time of year.' And so the days of early June went by, each finer than the last.

  And then Cramier came down, without warning on a Friday evening. It was hot in London . . . the session dull. . . . The Jubilee turning everything upside down. . . . They were lucky to be out of Town!

  A silent dinner--that!

  Mrs. Ercott noticed that he drank wine like water, and for minutes at a time fixed his eyes, that looked heavy as if he had not been sleeping, not on his wife's face but on her neck. If Olive really disliked and feared him--as John would have it--she disguised her feelings very well! For so pale a woman she was looking brilliant that night. The sun had caught her cheeks, perhaps. That black low-cut frock suited her, with old Milanese-point lace matching her skin so well, and one carnation, of darkest red, at her breast. Her eyes were really sometimes like black velvet. It suited pale women to have those eyes, that looked so black at night! She was talking, too, and laughing more than usual. One would have said: A wife delighted to welcome her husband! And yet there was something--something in the air, in the feel of things--the lowering fixity of that man's eyes, or--thunder coming, after all this heat! Surely the night was unnaturally still and dark, hardly a breath of air, and so many moths out there, passing the beam of light, like little pale spirits crossing a river! Mrs. Ercott smiled, pleased at that image. Moths! Men were like moths; there were women from whom they could not keep away. Yes, there was something about Olive that drew men to her. Not meretricious--to do her justice, not that at all; but something soft, and-fatal; like one of these candle-flames
to the poor moths. John's eyes were never quite as she knew them when he was looking at Olive; and Robert Cramier's--what a queer, drugged look they had! As for that other poor young fellow--she had never forgotten his face when they came on him in the Park!

  And when after dinner they sat on the veranda, they were all more silent still, just watching, it seemed, the smoke of their cigarettes, rising quite straight, as though wind had been withdrawn from the world. The Colonel twice endeavoured to speak about the moon: It ought to be up by now! It was going to be full.

  And then Cramier said: "Put on that scarf thing, Olive, and come round the garden with me."

  Mrs. Ercott admitted to herself now that what John said was true. Just one gleam of eyes, turned quickly this way and that, as a bird looks for escape; and then Olive had got up and quietly gone with him down the path, till their silent figures were lost to sight.

  Disturbed to the heart, Mrs. Ercott rose and went over to her husband's chair. He was frowning, and staring at his evening shoe balanced on a single toe. He looked up at her and put out his hand. Mrs. Ercott gave it a squeeze; she wanted comfort.

  The Colonel spoke:

  "It's heavy to-night, Dolly. I don't like the feel of it."

  XVII

  They had passed without a single word spoken, down through the laurels and guelder roses to the river bank; then he had turned to the right, and gone along it under the dove-house, to the yew- trees. There he had stopped, in the pitch darkness of that foliage. It seemed to her dreadfully still; if only there had been the faintest breeze, the faintest lisping of reeds on the water, one bird to make a sound; but nothing, nothing save his breathing, deep, irregular, with a quiver in it. What had he brought her here for? To show her how utterly she was his? Was he never going to speak, never going to say whatever it was he had in mind to say? If only he would not touch her!