THE DARK FLOWER Read online

Page 18


  "Oh! ever since I was a child."

  He wanted to say: And how long is that? But managed to refrain, and got up to go instead. She caught his sleeve and said:

  "You're not to go!" Saying that she looked as a dog will, going to bite in fun, her upper lip shortened above her small white teeth set fast on her lower lip, and her chin thrust a little forward. A glimpse of a wilful spirit! But as soon as he had smiled, and murmured:

  "Ah! but I must, you see!" she at once regained her manners, only saying rather mournfully: "You don't call me by my name. Don't you like it?"

  "Nell?"

  "Yes. It's really Eleanor, of course. DON'T you like it?"

  If he had detested the name, he could only have answered: "Very much."

  "I'm awfully glad! Good-bye."

  When he got out into the street, he felt terribly like a man who, instead of having had his sleeve touched, has had his heart plucked at. And that warm, bewildered feeling lasted him all the way home.

  Changing for dinner, he looked at himself with unwonted attention. Yes, his dark hair was still thick, but going distinctly grey; there were very many lines about his eyes, too, and those eyes, still eager when they smiled, were particularly deepset, as if life had forced them back. His cheekbones were almost 'bopsies' now, and his cheeks very thin and dark, and his jaw looked too set and bony below the almost black moustache. Altogether a face that life had worn a good deal, with nothing for a child to take a fancy to and make friends with, that he could see.

  Sylvia came in while he was thus taking stock of himself, bringing a freshly-opened flask of eau-de-Cologne. She was always bringing him something--never was anyone so sweet in those ways. In that grey, low-cut frock, her white, still prettiness and pale-gold hair, so little touched by Time, only just fell short of real beauty for lack of a spice of depth and of incisiveness, just as her spirit lacked he knew not what of poignancy. He would not for the world have let her know that he ever felt that lack. If a man could not hide little rifts in the lute from one so good and humble and affectionate, he was not fit to live.

  She sang 'The Castle of Dromore' again that night with its queer haunting lilt. And when she had gone up, and he was smoking over the fire, the girl in her dark-red frock seemed to come, and sit opposite with her eyes fixed on his, just as she had been sitting while they talked. Dark red had suited her! Suited the look on her face when she said:

  "You're not to go!" Odd, indeed, if she had not some devil in her, with that parentage!

  V

  Next day they had summoned him from the studio to see a peculiar phenomenon--Johnny Dromore, very well groomed, talking to Sylvia with unnatural suavity, and carefully masking the goggle in his eyes! Mrs. Lennan ride? Ah! Too busy, of course. Helped Mark with his--er-- No! Really! Read a lot, no doubt? Never had any time for readin' himself--awful bore not having time to read! And Sylvia listening and smiling, very still and soft.

  What had Dromore come for? To spy out the land, discover why Lennan and his wife thought nothing of the word 'outside'--whether, in fact, their household was respectable. . . . A man must always look twice at 'what-d'you-call-ems,' even if they have shared his room at school! . . . To his credit, of course, to be so careful of his daughter, at the expense of time owed to the creation of the perfect racehorse! On the whole he seemed to be coming to the conclusion that they might be useful to Nell in the uncomfortable time at hand when she would have to go about; seemed even to be falling under the spell of Sylvia's transparent goodness-- abandoning his habitual vigilance against being scored off in life's perpetual bet; parting with his armour of chaff. Almost a relief, indeed, once out of Sylvia's presence, to see that familiar, unholy curiosity creeping back into his eyes, as though they were hoping against parental hope to find something--er-- amusing somewhere about that mysterious Mecca of good times--a 'what-d'you-call-it's' studio. Delicious to watch the conflict between relief and disappointment. Alas! no model--not even a statue without clothes; nothing but portrait heads, casts of animals, and such-like sobrieties--absolutely nothing that could bring a blush to the cheek of the young person, or a glow to the eyes of a Johnny Dromore.

  With what curious silence he walked round and round the group of sheep-dogs, inquiring into them with that long crinkled nose of his! With what curious suddenness, he said: "Damned good! You wouldn't do me one of Nell on horseback?" With what dubious watchfulness he listened to the answer:

  "I might, perhaps, do a statuette of her; if I did, you should have a cast."

  Did he think that in some way he was being outmanoeuvered? For he remained some seconds in a sort of trance before muttering, as though clinching a bet:

  "Done! And if you want to ride with her to get the hang of it, I can always mount you."

  When he had gone, Lennan remained staring at his unfinished sheep- dogs in the gathering dusk. Again that sense of irritation at contact with something strange, hostile, uncomprehending! Why let these Dromores into his life like this? He shut the studio, and went back to the drawing-room. Sylvia was sitting on the fender, gazing at the fire, and she edged along so as to rest against his knees. The light from a candle on her writing-table was shining on her hair, her cheek, and chin, that years had so little altered. A pretty picture she made, with just that candle flame, swaying there, burning slowly, surely down the pale wax--candle flame, of all lifeless things most living, most like a spirit, so bland and vague, one would hardly have known it was fire at all. A drift of wind blew it this way and that: he got up to shut the window, and as he came back; Sylvia said:

  "I like Mr. Dromore. I think he's nicer than he looks."

  "He's asked me to make a statuette of his daughter on horseback."

  "And will you?"

  "I don't know."

  "If she's really so pretty, you'd better."

  "Pretty's hardly the word--but she's not ordinary."

  She turned round, and looked up at him, and instinctively he felt that something difficult to answer was coming next.

  "Mark."

  "Yes."

  "I wanted to ask you: Are you really happy nowadays?"

  "Of course. Why not?"

  What else to be said? To speak of those feelings of the last few months--those feelings so ridiculous to anyone who had them not-- would only disturb her horribly.

  And having received her answer, Sylvia turned back to the fire, resting silently against his knees. . . .

  Three days later the sheep-dogs suddenly abandoned the pose into which he had lured them with such difficulty, and made for the studio door. There in the street was Nell Dromore, mounted on a narrow little black horse with a white star, a white hoof, and devilish little goat's ears, pricked, and very close together at the tips.

  "Dad said I had better ride round and show you Magpie. He's not very good at standing still. Are those your dogs? What darlings!"

  She had slipped her knee already from the pummel, and slid down; the sheep-dogs were instantly on their hind-feet, propping themselves against her waist. Lennan held the black horse--a bizarre little beast, all fire and whipcord, with a skin like satin, liquid eyes, very straight hocks, and a thin bang-tail reaching down to them. The little creature had none of those commonplace good looks so discouraging to artists.

  He had forgotten its rider, till she looked up from the dogs, and said: "Do you like him? It IS nice of you to be going to do us."

  When she had ridden away, looking back until she turned the corner, he tried to lure the two dogs once more to their pose. But they would sit no more, going continually to the door, listening and sniffing; and everything felt disturbed and out of gear.

  That same afternoon at Sylvia's suggestion he went with her to call on the Dromores.

  While they were being ushered in he heard a man's voice rather high-pitched speaking in some language not his own; then the girl:

  "No, no, Oliver. 'Dans l'amour il y a toujours un qui aime, et l'autre qui se laisse aimer.'"

  She was sitting in he
r father's chair, and on the window-sill they saw a young man lolling, who rose and stood stock-still, with an almost insolent expression on his broad, good-looking face. Lennan scrutinized him with interest--about twenty-four he might be, rather dandified, clean-shaved, with crisp dark hair and wide-set hazel eyes, and, as in his photograph, a curious look of daring. His voice, when he vouchsafed a greeting, was rather high and not unpleasant, with a touch of lazy drawl.

  They stayed but a few minutes, and going down those dimly lighted stairs again, Sylvia remarked:

  "How prettily she said good-bye--as if she were putting up her face to be kissed! I think she's lovely. So does that young man. They go well together."

  Rather abruptly Lennan answered:

  "Ah! I suppose they do."

  VI

  She came to them often after that, sometimes alone, twice with Johnny Dromore, sometimes with young Oliver, who, under Sylvia's spell, soon lost his stand-off air. And the statuette was begun. Then came Spring in earnest, and that real business of life--the racing of horses 'on the flat,' when Johnny Dromore's genius was no longer hampered by the illegitimate risks of 'jumpin'.' He came to dine with them the day before the first Newmarket meeting. He had a soft spot for Sylvia, always saying to Lennan as he went away: "Charmin' woman--your wife!" She, too, had a soft spot for him, having fathomed the utter helplessness of this worldling's wisdom, and thinking him pathetic.

  After he was gone that evening, she said:

  "Ought we to have Nell to stay with us while you're finishing her? She must be very lonely now her father's so much away."

  It was like Sylvia to think of that; but would it be pleasure or vexation to have in the house this child with her quaint grown- upness, her confiding ways, and those 'Perdita' eyes? In truth he did not know.

  She came to them with touching alacrity--very like a dog, who, left at home when the family goes for a holiday, takes at once to those who make much of it.

  And she was no trouble, too well accustomed to amuse herself; and always quaint to watch, with her continual changes from child to woman of the world. A new sensation, this--of a young creature in the house. Both he and Sylvia had wanted children, without luck. Twice illness had stood in the way. Was it, perhaps, just that little lack in her--that lack of poignancy, which had prevented her from becoming a mother? An only child herself, she had no nieces or nephews; Cicely's boys had always been at school, and now were out in the world. Yes, a new sensation, and one in which Lennan's restless feelings seemed to merge and vanish.

  Outside the hours when Nell sat to him, he purposely saw but little of her, leaving her to nestle under Sylvia's wing; and this she did, as if she never wanted to come out. Thus he preserved his amusement at her quaint warmths, and quainter calmness, his aesthetic pleasure in watching her, whose strange, half-hypnotized, half-hypnotic gaze, had a sort of dreamy and pathetic lovingness, as if she were brimful of affections that had no outlet.

  Every morning after 'sitting' she would stay an hour bent over her own drawing, which made practically no progress; and he would often catch her following his movements with those great eyes of hers, while the sheep-dogs would lie perfectly still at her feet, blinking horribly--such was her attraction. His birds also, a jackdaw and an owl, who had the run of the studio, tolerated her as they tolerated no other female, save the housekeeper. The jackdaw would perch on her and peck her dress; but the owl merely engaged her in combats of mesmeric gazing, which never ended in victory for either.

  Now that she was with them, Oliver Dromore began to haunt the house, coming at all hours, on very transparent excuses. She behaved to him with extreme capriciousness, sometimes hardly speaking, sometimes treating him like a brother; and in spite of all his nonchalance, the poor youth would just sit glowering, or gazing out his adoration, according to her mood.

  One of these July evenings Lennan remembered beyond all others. He had come, after a hard day's work, out from his studio into the courtyard garden to smoke a cigarette and feel the sun on his cheek before it sank behind the wall. A piano-organ far away was grinding out a waltz; and on an hydrangea tub, under the drawing- room window, he sat down to listen. Nothing was visible from there, save just the square patch of a quite blue sky, and one soft plume of smoke from his own kitchen chimney; nothing audible save that tune, and the never-ending street murmur. Twice birds flew across--starlings. It was very peaceful, and his thoughts went floating like the smoke of his cigarette, to meet who-knew-what other thoughts--for thoughts, no doubt, had little swift lives of their own; desired, found their mates, and, lightly blending, sent forth offspring. Why not? All things were possible in this wonder-house of a world. Even that waltz tune, floating away, would find some melody to wed, and twine with, and produce a fresh chord that might float in turn to catch the hum of a gnat or fly, and breed again. Queer--how everything sought to entwine with something else! On one of the pinkish blooms of the hydrangea he noted a bee--of all things, in this hidden-away garden of tiles and gravel and plants in tubs! The little furry, lonely thing was drowsily clinging there, as if it had forgotten what it had come for--seduced, maybe, like himself, from labour by these last rays of the sun. Its wings, close-furled, were glistening; its eyes seemed closed. And the piano-organ played on, a tune of yearning, waiting, yearning. . . .

  Then, through the window above his head, he heard Oliver Dromore--a voice one could always tell, pitched high, with its slight drawl-- pleading, very softly at first, then insistent, imperious; and suddenly Nell's answering voice:

  "I won't, Oliver! I won't! I won't!"

  He rose to go out of earshot. Then a door slammed, and he saw her at the window above him, her waist on a level with his head; flushed, with her grey eyes ominously bright, her full lips parted. And he said:

  "What is it, Nell?"

  She leaned down and caught his hand; her touch was fiery hot.

  "He kissed me! I won't let him--I won't kiss him!"

  Through his head went a medley of sayings to soothe children that are hurt; but he felt unsteady, unlike himself. And suddenly she knelt, and put her hot forehead against his lips.

  It was as if she had really been a little child, wanting the place kissed to make it well.

  VII

  After that strange outburst, Lennan considered long whether he should speak to Oliver. But what could he say, from what standpoint say it, and--with that feeling? Or should he speak to Dromore? Not very easy to speak on such a subject to one off whose turf all spiritual matters were so permanently warned. Nor somehow could he bring himself to tell Sylvia; it would be like violating a confidence to speak of the child's outburst and that quivering moment, when she had kneeled and put her hot forehead to his lips for comfort. Such a disclosure was for Nell herself to make, if she so wished.

  And then young Oliver solved the difficulty by coming to the studio himself next day. He entered with 'Dromore' composure, very well groomed, in a silk hat, a cut-away black coat and charming lemon- coloured gloves; what, indeed, the youth did, besides belonging to the Yeomanry and hunting all the winter, seemed known only to himself. He made no excuse for interrupting Lennan, and for some time sat silently smoking his cigarette, and pulling the ears of the dogs. And Lennan worked on, waiting. There was always something attractive to him in this young man's broad, good-looking face, with its crisp dark hair, and half-insolent good humour, now so clouded.

  At last Oliver got up, and went over to the unfinished 'Girl on the Magpie Horse.' Turning to it so that his face could not be seen, he said:

  "You and Mrs. Lennan have been awfully kind to me; I behaved rather like a cad yesterday. I thought I'd better tell you. I want to marry Nell, you know."

  Lennan was glad that the young man's face was so religiously averted. He let his hands come to anchor on what he was working at before he answered: "She's only a child, Oliver;" and then, watching his fingers making an inept movement with the clay, was astonished at himself.

  "She'll be eighteen this month," h
e heard Oliver say. "If she once gets out--amongst people--I don't know what I shall do. Old Johnny's no good to look after her."

  The young man's face was very red; he was forgetting to hide it now. Then it went white, and he said through clenched teeth: "She sends me mad! I don't know how not to-- If I don't get her, I shall shoot myself. I shall, you know--I'm that sort. It's her eyes. They draw you right out of yourself--and leave you--" And from his gloved hand the smoked-out cigarette-end fell to the floor. "They say her mother was like that. Poor old Johnny! D'you think I've got a chance, Mr. Lennan? I don't mean now, this minute; I know she's too young."

  Lennan forced himself to answer.

  "I dare say, my dear fellow, I dare say. Have you talked with my wife?"

  Oliver shook his head.

  "She's so good--I don't think she'd quite understand my sort of feeling."

  A queer little smile came up on Lennan's lips.

  "Ah, well!" he said, "you must give the child time. Perhaps when she comes back from Ireland, after the summer."

  The young man answered moodily:

  "Yes. I've got the run of that, you know. And I shan't be able to keep away." He took up his hat. "I suppose I oughtn't to have come and bored you about this, but Nell thinks such a lot of you; and, you being different to most people--I thought you wouldn't mind." He turned again at the door. "It wasn't gas what I said just now--about not getting her. Fellows say that sort of thing, but I mean it."

  He put on that shining hat and went.

  And Lennan stood, staring at the statuette. So! Passion broke down even the defences of Dromoredom. Passion! Strange hearts it chose to bloom in!

  'Being different to most people--I thought you wouldn't mind'! How had this youth known that Sylvia would not understand passion so out of hand as this? And what had made it clear that he (Lennan) would? Was there, then, something in his face? There must be! Even Johnny Dromore--most reticent of creatures--had confided to him that one hour of his astute existence, when the wind had swept him out to sea!